I’ve uploaded this video as it serves a very good point.
I don’t doubt you’ll all have had your own experience of what seems a trivial story being repeated (at times verbatim) across all news channels.
How is this possible? There are several things at play here. The first and most crucial was the transitioning from lots of independently owned newspapers and media to big media – what you might call corporate media. The entire news media of the US is owned by a mere six companies. They own the air waves, they own printed newspapers, they own hundreds of magazine titles – it is an absolute dominion of media.
The situation isn’t a great deal better here when you consider how much of the media is controlled by Rupert Murdoch. Many people in the US and in this country are simply not aware how much of the information they get on a daily basis is controlled by so few. They should take more interest in such a thing and they should see it as something which gravely undermines truth and objectivity – it is dangerous.
Don’t underestimate the power of the same message being repeated to a mass of people over and over. Facts stop mattering and it all becomes about repeating whatever the narrative is. What happens when the criminals who pass as our establishment want to get another war of aggression going? Why they simply use and rely on the mass media as being like an extension of their pre war propaganda and all media tend to fall in line and bang the drums of war.
I can well recall the almost hysterical backing for the invasion of Iraq that the media were churning out over and over. They are often as good as being in league with those at Westminster or in Congress. Mass media rely on the fact that the end consumer doesn’t do a lot of fact checking. What % of the population typically watch the news and think to go off and research things for themselves so that they can make an informed decision about what they are being told? Definitely not the majority.
There has been a dumbing down of the quality of what passes for news in the past 20years. Not just my perception but a fact. There has been a drastic change to the working environment for journalists. The advent of 24/7 news means that fact checking and quality are often the first casualties. Here’s another fact and one that explains why you see what look like nonsense non stories repeated all over the media – a large % of your “news” is not real news at all. It has been placed there by PR agencies working on behalf of a client who is paying them large sums.
By Nick Davies
A lot of people think that British journalism is corrupted. I agree with them. Our job as journalists is to tell the truth, but repeatedly we fail. From the great global falsehoods on weapons of mass destruction and millennium bugs to the daily dribble of routine disinformation and distortion, we serve up stories which are no better than the idea that the Earth is flat.
The tricky thing is to work out why and, in particular, to go beyond the easy assumption of outsiders that we fail because we couldn’t’t care less, or because we are all the obedient puppets of interfering proprietors and heavy-handed corporate advertisers.
In Flat Earth News, I’ve turned over the detail of three particular newsrooms:
The Sunday Times, where I looked at the long decline of the Insight team and of truth-telling journalism;
The Observer, where I traced the skilful manipulation of reporters by intelligence agencies and Downing Street in the run-up to the invasion of Iraq;
The Daily Mail, where I explored this paper’s special relationship with distorting the news.
Those sections of Flat Earth News have already attracted some flak (and, of course, some wonderfully false and distorted reporting). But the book is really trying to do something more prosaic, which is to expose some fundamental changes which have afflicted our profession in the past 20 or 30 years, with the result that even the best, most honest, decent and hard-working journalists now find themselves working in a kind of cage.
I think the most common reason for our failure to tell the truth is simply that we don’t know what the truth is. And Flat Earth News suggests that now, more than ever in the past, we are likely to engage in the mass production of ignorance because the corporations and the accountants who have taken us over have stripped out our staffing, increased our output and ended up chaining us to our desks so that generally we are simply no longer able to go out and make contacts or find stories or even check facts.
Where once we were active gatherers of news, we have become passive processors of second-hand material generated by the booming PR industry and a handful of wire agencies, most of which flows into our stories without being properly checked. The relentless impact of commercialisation has seen our journalism reduced to mere churnalism.
There are two different kinds of evidence for this. One is the daily experience of almost every reporter at almost every level in almost every print and broadcast outlet in this country, captured, in a single example, by the young provincial reporter who kept a work journal for me.
In his working week, he turned out 48 stories – and yet he spent a total of only three hours out of the office and spoke face to face to only four people. That is churnalism.
No reporter who is producing nearly 10 stories every shift can possibly be doing their job properly. No reporter who spends nearly 95 per cent of the time crouched over a desk can possibly develop enough good leads or build enough good contacts. No reporter who speaks to so few people in researching 48 stories can possibly be checking their truth.
All local and regional media outlets in Britain – print and broadcast – have been swamped by a tide of churnalism. The scale and quality of coverage has been swept away. But the tide has not stopped in the provinces. The big national outlets can still support some real journalism, but here too, churnalism has swept through newsrooms.
And this is where the second kind of evidence comes in. I raised some money from the Rowntree Foundation and gave it to the journalism department at Cardiff University and asked them to research our national news coverage. In a long report, they came up with three groups of statistics which – I think – tell the tale of the decline and fall of Fleet Street.
First, they analysed the origins of every single home news story which was carried by the four quality papers (Times, Telegraph, Guardian, Independent) as well as the Daily Mail during two randomly chosen weeks last year. They ended up looking at more than 2,000 stories.
With the help of The Guardian newsdesk, they then attempted to capture all of the incoming material which had been passed on to reporters during those two weeks. Where there was still any doubt about the origin of stories, they interviewed reporters from the different newspapers and then tracked backwards to find their source material. What they found was that these stories were composed overwhelmingly of second-hand material.
Fifty four per cent of the stories contained clear signs of PR input – and bear in mind that is a conservative figure. It excludes the tabloids, which carry far more celebrity stories dominated by PR material. It excludes the Financial Times and the quality finance pages, where City reporting is flooded with PR. It excludes the quality feature pages, which are heavily influenced by PR from film companies, theatres, broadcasters and publishers; and the sports pages, where access to teams and stars is run by PR.
In addition, the Cardiff researchers found that 70 per cent of these quality news stories were wholly or partly recycled from agency copy, usually the Press Association.
Now, if you merge the two figures – for PR and PA – and ask how much of Fleet Street quality news is, in fact, the work of Fleet Street’s own reporters, the answer from the Cardiff research is: 80 per cent of it is wholly, mainly or partially made up of second-hand material from PR and PA; eight per cent of it was impossible to trace; and only 12 per cent of it was provably based on material generated by Fleet Street reporters.
The point here is not simply that we are recycling a mass of second-hand material, much of it specifically designed to serve somebody’s commercial or political interests. As a second area of research, the Cardiff specialists went on to look at those stories which relied on a specific statement of fact – and found that only 12 per cent of these stories showed any evidence that the central statement had been thoroughly checked.
Just pause and consider what those figures are suggesting: that only 12 per cent of the news stories in our most prestigious outlets are actually based entirely on material produced by the reporters who wrote them; and that only 12 per cent of the facts in those stories show evidence of having been properly checked. Of course, we run stories that aren’t true!
As the Cardiff researchers concluded: ‘Taken together, these data portray a picture of journalism in which any meaningful independent journalistic activity by the press is the exception rather than the rule. We are not talking about investigative journalism here, but the everyday practices of news judgment, fact-checking, balance, criticising and interrogating sources et cetera, that are, in theory, central to routine, day-to-day journalism.”
And then there is the third key statistic. I asked the Cardiff researchers to find all the information they could on two key points: the amount of space which Fleet Street papers have been filling with editorial copy; and the number of staff who have been hired to do so. They gathered this data for each of the past 20 years.
To check the space, they simply counted the pages in each paper for each year and subtracted the space that was used for advertisements. To check the staffing levels, they ploughed through annual reports for every Fleet Street company and, where necessary, spoke off-the-record to senior executives.
It should be said that there are some gaps in this information where companies failed to disclose figures for particular years; and some complications when Fleet Street companies bought non-national titles and included those figures in their total of employees and also failed to include freelance hiring. But the crude underlying trend which they found is overwhelming.
After 20 years which have seen a great many cuts and occasional bouts of new hiring, average staffing levels across Fleet Street companies are now slightly lower than they were two decades ago. But the amount of editorial space which those journalists are filling has trebled.
To put it another way, during those 20 years, the average time allowed for national newspaper journalists to find and check their stories has been cut to a third of its former level.
Even allowing for the role of journalists on freelance contracts who won’t show up in these figures, if you include their extra work on free sheets, websites, blogs, podcasts and vodcasts, you see that their time has been cut still further.
That is a disaster. That is why we have ended up recycling so much PR and wire copy, and that’s why we now effectively check only something like 12 per cent of our facts. That’s how our profession has been corrupted.